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DUTILLEUX FLUTE SONATINA PDF

Find composition details, parts / movement information and albums that contain performances of Sonatina for flute & piano on AllMusic. Henri Dutilleux. Download Now on Beatport. Opening solo of the Sonatine, it states sans nuances. Any suggestions on how to play it? I try playing with very little or no vibrato at all, but I”m.

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Dutilleux was notoriously critical of his early works, including the Sonatine. The first section features a mysterious theme in 7 8 contrasting with jagged piano figures.

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Sonatina for flute & piano

French Music for Flute and Piano. Views Read Edit View history. It concludes with a cadenza that provides a transition to the lyrical second section. The work has become a standard of the flute repertoire [2] and has been performed many times by flautists such as Sharon Bezaly and Emmanuel Pahud. The best thing is to listen to it being performed a bunch of times or get a recording since it’s such a wonderful piece.

Wonatina I play it, I try to keep the sound open and have very few upper harmonics with a little xonatina of vibrato.

AllMusic relies heavily on JavaScript. Poulenc, Hindemith, Dutilleux, Muczynski, Martin. Lasting barely ten minutes, the sonatina falls into three sections played without pause. No registered users and 3 guests.

Near the end, a challenging cadenza alludes to motifs from all three sections of the sonatina, with the piano joining for an accelerando through the final, bright measures.

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Modern French Music for Flute. Who is online Users browsing this forum: AllMusic Featured Composition Noteworthy. The idea is to create contrast between the opening and theme later on, which should be subtly sensuous.

They were commissioned by then-director Claude Delvincourt. A lot of french music has important aspects which are not communicated in the score, but are passed on from teacher to student and through performances. Any suggestions on any of my questions? As ofit is Dutilleux’s most often recorded work. French Works for Flute.

Ainsi la nuit Sonatine for Flute and Piano. Julius Baker Flute Recital. Sexy Trippy All Moods. Genre Chamber Music Classical.

Dutilleux’s Sonatine Question – Flute Message Board

Streams Videos All Posts. The Sonatine for Flute and Piano is an early work by sonatuna 20th-century French composer Henri Dutilleuxcomposed and published in Sonatines for flute and piano.

The Paris Conservatory commissioned it as a test piece for the graduating flutists of Correspondances Deux sonnets de Jean Cassou Le temps l’horloge. These pieces were intended both to test the technique of the students and provide them with new scores.

Try to avoid a buzzy, thick sound on the low notes like we often like to do [; ]. The Sonatine for Flute and Piano is one of a series of four test pieces for the Paris Conservatoire that Dutilleux wrote between and This article about a sonata is a stub.

It begins with a mysterious, tonally ambiguous flute theme played over an angular, rising and falling piano motif that strongly recalls the style of Dmitry Kabalevsky. You can help Wikipedia by expanding it. By using this site, you agree to the Terms of Use and Privacy Policy.

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Rainy Day Relaxation Road Trip. We tend to stereotype this sound as being less beautiful I think James Galway for instance goes for lots and lots harmonics all the time for any piece–the opposite of what you want to do for the begining of Dutilleux, but a little wind in the sound is ok, it adds a wispy effect.

This burbling material soon becomes the flute’s property, and the remainder of the section tests the flutist’s articulation, breath control, and agility in music that grows increasingly lighthearted. The flute offers some brighter material as a bridge to a restatement of the opening piano melody, now appropriated fully by the flute and sounding gradually more playful.

Sonatine for Flute and Piano

Afternoon in Pan’s Labyrinth. I try playing with very little or no vibrato at all, but I”m having trouble on making the notes beautiful without using any vibrato. Retrieved 31 August Jazz Latin New Age. This page was last edited on 24 Mayat He once stated that he had never been completely happy that it was played so often [3] but he never withdrew it.

When I studied this piece my teacher, sinatina suggested a “smokey” effect which may include some vibrato. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before.

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