Musica Poetica. Musical-Rhetori cal Figures in German Baroque Music Dietrich Bartel of Nc-bra the U”I’Cr,’l) of: . Dietrich Bartel. Musica Poetica: Musical-Rhetorical Figures in the German Baroque. Lincoln and London: University of Nebraska Press, xv, pp. Musica poetica: musical-rhetorical figures in German Baroque music / Dietrich Bartel Bartel, Dietrich Bartel then turns to more detailed considerations of the.
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Musica Poetica Musical-Rhetorical Figures in German Baroque Music
Erasmus delineated numerous specific methods of enallage as ways of varying expression by substituting equivalent expressions in order to build copia. Fergal marked it as to-read Aug 31, A series of similarly structured elements having the same length.
Philosophy of Music in Aesthetics. Philosophy of Music in Aesthetics categorize this paper.
Dietrich Bartel, Musica Poetica Musical-Rhetorical Figures in German Baroque Music – PhilPapers
The Philosophy of Music. Berkeley and Los Angeles: Rhetorical repetition that is grammatically superfluous. If the figure is highlighted as a link, you can click on it to get more information.
Yana Poetic rated it it was amazing Dec 04, Andrew Kania – – Stanford Encyclopedia of Philosophy. Generally, encomium means the praise of a person or thing. The Music Between Us: Williammazdra is currently reading it May 22, Emily Dupere marked it as to-read Aug 11, To belittle or to use a degrading epithet, often of a single word.
New Muskca and Burlingame: Confirming something by one’s own experience. Florence Malhomme – Short pithy statement of general truth.
Nicholas Cook – – Sterling. Musically, the anadiplosis may be a repetition of a mimesis.
Musica Poetica: Musical-Rhetorical Figures in German Baroque Music
Zeugma comprises several more specialized terms, all of which employ ellipsis and parallelism among the governed members of the sentence. The term ” alliteratio ” was coined by Giovanni Pontano in as a further specification of the term annominatio.
Margarita Sancho poetia it really liked it Jun 05, Complaining against injuries or pleading for help. Using opposing or contrary descriptions together, typically in a somewhat paradoxical manner.
Maslova Lietacka is currently reading it Mar 27, Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications.
Cuncula marked it as to-read Dec 31, Kwnstantina Kaps marked it as to-read Dec 08, Columbia Bible College added it Apr 02, Each entry contains the figure name, whether it is musical, barte, or both, its classification see belowand a short definition. A three-note figure in which one note’s duration equals the sum of the other two. Lux Seeker marked it as to-read Jul 02, University of California Press, A repetition of a noema at the same pitch. Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy.