My reference for this piece is: Judicael Perroy plays Barrios Choro de Saudade on the GSI channel on youtube. There are some critics about. AGUSTIN BARRIOS MANGORE. Chôro da saudade. The Guitar School – Iceland Page 2. Check out Choro de saudade by Béla Bánfalvi & Augustine Barrios Mangore Georgi Moravsky on Amazon Music. Stream ad-free or purchase CD’s and MP3s .
|Published (Last):||27 October 2006|
|PDF File Size:||3.73 Mb|
|ePub File Size:||6.90 Mb|
|Price:||Free* [*Free Regsitration Required]|
Analyses of individual works for Classical Guitar and general discussions on analysis. You might not get it on the first try, but you just start with the number of notes you can play at that tempo. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.
Chôro da saudade (Barrios Mangoré, Agustín)
I am grasping for some way to understand what he is doing so I can remember the sequence better. Let us know how the MC goes! I’ll keep working at making the beginning more confident. I find that allowing my mind to concentrate on things other than knotty technical issues releases me: However, I choor can use more rubato and dynamics than in this recording and have sudade the way as I worked on the piece, but that was when I was playing it at a much slower tempo.
Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. This is the first piece that I have worked on in this way, so although it is much much further along at the same time point than the last piece I learned, it is still not yet ready.
And, once again – bravo!! How to work on a piece efficiently to bring it to performance in less time? I will stretch my fingers with the Choro da Saudade and my mind with cgoro youtube lessons.
Tell me what I am missing.
Analysis of Choro da Saudade -Barrios – Classical Guitar
If there is no answer to that question, we may be in freefall — a chain of dominant sevenths might create that effect, chorl then again we may only be going round the same arc of the circle of fifths that defines the scale if you look at any 7-note arc, you will find that the notes it includes always make a natural scale, i. Exaggerate the contrast, record these bits and listen back if you like the result.
It is not without flaws, of course! Again, thank you for your comments. Then did the same thing with B and C sections. For the past few weeksI have been trying to record myself nearly every day or two to get rid of the inhibition with which I start a piece when I push the red “record” button or am placed in a performance situation.
Usually I don’t feel I can play a piece in performance unless it has been on the burner for about a year simmering in my fingers and brain, but my teacher is trying to teach me to accelerate this time line and acquire pieces faster and more thoroughly. Any constructive critique is welcome.
A great job with a challenging piece.
Barrios Mangoré, Agustín – Choro da Saudade – Classical Guitar
This was definitely a major problem for me. There are some parts that did not sound as legato as they should, which is what I’ve been focusing on this week, and so I have been playing it pretty much straight time trying to get pulse correct before adding rubato.
They are not chords that I know. Chris told me that this is what I needed to do There are some critics about this chkro but I find it very logical saudde natural One of my teachers, a friend of Odair, made a video of him playing it, along with the commentary that it taught to him by his father and he never played it without thinking of him.
Then I concentrated in the same manner on the B section and then the Choto section. Reedition Domingo Esteso by Conde Hermanos ; Kenny Hill, model Barcelona “While you try to master classical guitar, prepare for a slave’s life: I’ll take a look at that lesson link when I get to a place with a better internet connection tomorrow.
Do I sound too cautious in the beginning?
You are asking of your beginning Having a road map that they were moving in coro circle means I could start to name them and then start to associate the shape with a particular seven chord. I hope that you continue to post updates–it would be fascinating to follow how this evolves. Obviously, it is still a work in progress! So the piece is intensely emotional for him. There is nothing like having an excellent teacher to help you make a real breakthrough to lift your spirits!
Hopefully, the commentary will help me and others learn how to listen critically and how to move forward with a musically challenging piece.
I did get used to the scordatura And it’s interesting to read the discussion too. I am trying to get to grips with music theory and just wanted to say thanks for the link to the youtube lesson provided in this thread. I realise this isn’t constructive critique as such. When the sun shines, bask. I will record the piece again next week and we will see what the result is. Yesterday I had a tough day in the practice room You may not achieve it, but it is the focus of the practice.
The “small bits” aspect is that when you play a passage, even if only a beat or two at a much higher BPM, you start to train your fingers to move faster. Classical Guitar Skip to content.